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CARMEN GALA CONCERT tickets

» Home    » Opera Festivals Italy 2018    » Arena di Verona Festival Tickets 2018    » CARMEN GALA CONCERT
 
 
CARMEN GALA CONCERT

Venue: Verona Arena

 
Piazza Brà, 1
37121 Verona
Italy
 
 
All dates
Season 2018
 
Season 2019
 

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Next performance (see season calendar above for other dates)
CARMEN GALA CONCERT
Wed 22 August 2018
POLTRONISSIME GOLD
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20:45 Arena di Verona 189 € Add to cart
 
POLTRONISSIME
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20:45 Arena di Verona 158 € Add to cart
 
POLTRONE
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20:45 Arena di Verona 120 € Add to cart
 
GRADINATA NUMERATA 1 SETTORE
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20:45 Arena di Verona 101 € Add to cart
 
GRADINATA NUMERATA 2 SETTORE
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20:45 Arena di Verona 81 € Add to cart
 
 
CARMEN GALA CONCERT
Sat 25 August 2018
POLTRONISSIME GOLD
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20:45 Arena di Verona 204 € Add to cart
 
POLTRONISSIME
Hour Hall Price Tickets Buy
20:45 Arena di Verona 173 € Add to cart
 
POLTRONE
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20:45 Arena di Verona 131 € Add to cart
 
GRADINATA NUMERATA 1 SETTORE
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20:45 Arena di Verona 111 € Add to cart
 
GRADINATA NUMERATA 2 SETTORE
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20:45 Arena di Verona 89 € Add to cart
 
 
CARMEN GALA CONCERT
Tue 28 August 2018
POLTRONISSIME GOLD
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20:45 Arena di Verona 189 € Add to cart
 
POLTRONISSIME
Hour Hall Price Tickets Buy
20:45 Arena di Verona 158 € Add to cart
 
POLTRONE
Hour Hall Price Tickets Buy
20:45 Arena di Verona 120 € Add to cart
 
GRADINATA NUMERATA 1 SETTORE
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20:45 Arena di Verona 101 € Add to cart
 
GRADINATA NUMERATA 2 SETTORE
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20:45 Arena di Verona 81 € Add to cart
 
 
CARMEN GALA CONCERT
Fri 31 August 2018
POLTRONISSIME GOLD
Hour Hall Price Tickets Buy
20:45 Arena di Verona 204 € Add to cart
 
POLTRONISSIME
Hour Hall Price Tickets Buy
20:45 Arena di Verona 173 € Add to cart
 
POLTRONE
Hour Hall Price Tickets Buy
20:45 Arena di Verona 131 € Add to cart
 
GRADINATA NUMERATA 1 SETTORE
Hour Hall Price Tickets Buy
20:45 Arena di Verona 111 € Add to cart
 
GRADINATA NUMERATA 2 SETTORE
Hour Hall Price Tickets Buy
20:45 Arena di Verona 89 € Add to cart
 
 
 
Event details
 
Composer: Carmen - Arena di Verona 2018

Synopsis

Place: Seville, Spain, and surrounding hills
Time: Around 1820

Act 1

A square, in Seville. On the right, a door to the tobacco factory. At the back, a bridge. On the left, a guardhouse.

A group of soldiers relaxes in the square, waiting for the changing of the guard and commenting on the passers-by ("Sur la place, chacun passe"). Micaëla appears, seeking José. Moralès tells her that "José is not yet on duty" and invites her to wait with them. She declines, saying she will return later. José arrives with the new guard, which is greeted and imitated by a crowd of urchins ("Avec la garde montante").

As the factory bell rings, the cigarette girls emerge and exchange banter with young men in the crowd ("La cloche a sonné"). Carmen enters and sings her provocative habanera on the untameable nature of love ("L'amour est un oiseau rebelle"). The men plead with her to choose a lover, and after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence.

As the women go back to the factory, Micaëla returns and gives José a letter and a kiss from his mother ("Parle-moi de ma mère!"). He reads that his mother wants him to return home and marry Micaëla, who retreats in shy embarrassment on learning this. Just as José declares that he is ready to heed his mother's wishes, the women stream from the factory in great agitation. Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. When challenged, Carmen answers with mocking defiance ("Tra la la... Coupe-moi, brûle-moi"); Zuniga orders José to tie her hands while he prepares the prison warrant. Left alone with José, Carmen beguiles him with a seguidilla, in which she sings of a night of dancing and passion with her lover—whoever that may be—in Lillas Pastia's tavern. Confused yet mesmerised, José agrees to free her hands; as she is led away she pushes her escort to the ground and runs off laughing. José is arrested for dereliction of duty.

Act 2

Lillas Pastia's Inn

A month has passed. Carmen and her friends Frasquita and Mercédès are entertaining Zuniga and other officers ("Les tringles des sistres tintaient") in Pastia's inn. Carmen is delighted to learn of José's release from a month's detention. Outside, a chorus and procession announces the arrival of the toreador Escamillo ("Vivat, vivat le Toréro"). Invited inside, he introduces himself with the "Toreador Song" ("Votre toast, je peux vous le rendre") and sets his sights on Carmen, who brushes him aside. Lillas Pastia hustles the crowds and the soldiers away.

When only Carmen, Frasquita and Mercédès remain, the smugglers Dancaïre and Remendado arrive and reveal their plans to dispose of some recently acquired contraband ("Nous avons en tête une affaire"). Frasquita and Mercédès are keen to help them, but Carmen refuses, since she wishes to wait for José. After the smugglers leave, José arrives. Carmen treats him to a private exotic dance ("Je vais danser en votre honneur ... La la la"), but her song is joined by a distant bugle call from the barracks. When José says he must return to duty, she mocks him, and he answers by showing her the flower that she threw to him in the square ("La fleur que tu m'avais jetée"). Unconvinced, Carmen demands he shows his love by leaving with her. José refuses to desert, but as he prepares to depart, Zuniga enters looking for Carmen. He and José fight, and are separated by the returning smugglers, who restrain Zuniga. Having attacked a superior officer, José now has no choice but to join Carmen and the smugglers ("Suis-nous à travers la campagne").

Act 3

A wild spot in the mountains

Carmen and José enter with the smugglers and their booty ("Écoute, écoute, compagnons"); Carmen has now become bored with José and tells him scornfully that he should go back to his mother. Frasquita and Mercédès amuse themselves by reading their fortunes from the cards; Carmen joins them and finds that the cards are foretelling her death, and José's. The women depart to suborn the customs officers who are watching the locality. José is placed on guard duty.

Micaëla enters with a guide, seeking José and determined to rescue him from Carmen ("Je dis que rien ne m'épouvante"). On hearing a gunshot she hides in fear; it is José, who has fired at an intruder who proves to be Escamillo. José's pleasure at meeting the bullfighter turns to anger when Escamillo declares his infatuation with Carmen. The pair fight ("Je suis Escamillo, toréro de Grenade"), but are interrupted by the returning smugglers and girls ("Holà, holà José"). As Escamillo leaves he invites everyone to his next bullfight in Seville. Micaëla is discovered; at first, José will not leave with her despite Carmen's mockery, but he agrees to go when told that his mother is dying. As he departs, vowing he will return, Escamillo is heard in the distance, singing the toreador's song.

Act 4

A square in Seville. At the back, the walls of an ancient amphitheatre

Zuniga, Frasquita and Mercédès are among the crowd awaiting the arrival of the bullfighters ("Les voici ! Voici la quadrille!"). Escamillo enters with Carmen, and they express their mutual love ("Si tu m'aimes, Carmen"). As Escamillo goes into the arena, Frasquita warns Carmen that José is nearby, but Carmen is unafraid and willing to speak to him. Alone, she is confronted by the desperate José ("C'est toi ! C'est moi !"). While he pleads vainly for her to return to him, cheers are heard from the arena. As José makes his last entreaty, Carmen contemptuously throws down the ring he gave her and attempts to enter the arena. He then stabs her, and as Escamillo is acclaimed by the crowds, Carmen dies. José kneels and sings "Ah! Carmen! ma Carmen adorée!"; as the crowd exits the arena, José confesses to killing the woman he loved.

 
Program details
 

CAST
 

Libretto by
Ludovic Halevy - Henri Meilhac

 
Venue
 
Verona Arena
 

The Verona Arena (Arena di Verona) is a Roman amphitheatre in Piazza Bra in Verona, Italy built in 30 AD. It is still in use today and is internationally famous for the large-scale opera performances given there. It is one of the best preserved ancient structures of its kind.

 

 

 

Amphitheatre

The building itself was built in AD 30 on a site which was then beyond the city walls. The ludi (shows and games) staged there were so famous that spectators came from many other places, often far away, to witness them. The amphitheatre could host more than 30,000 spectators in ancient times.

The round façade of the building was originally composed of white and pink limestone from Valpolicella, but after a major earthquake in 1117, which almost completely destroyed the structure's outer ring, except for the so-called "ala", the stone was quarried for re-use in other buildings. Nevertheless it impressed medieval visitors to the city, one of whom considered it to have been a labyrinth, without ingress or egress. Ciriaco d'Ancona was filled with admiration for the way it had been built and Giovanni Antonio Panteo's civic panegyric De laudibus veronae, 1483, remarked that it struck the viewer as a construction that was more than human.

 

Musical theatre

 

The first interventions to recover the arena's function as a theatre began during the Renaissance. Some operatic performances were later mounted in the building during the 1850s, owing to its outstanding acoustics.

And in 1913, operatic performances in the arena commenced in earnest due to the zeal and initiative of the Italian operatenor Giovanni Zenatello and the impresario Ottone Rovato. The first 20th-century operatic production at the arena, a staging of Giuseppe Verdi's Aida, took place on 10 August of that year, to mark the birth of Verdi 100 years before in 1813. Musical luminaries such as Puccini and Mascagni were in attendance. Since then, summer seasons of opera have been mounted continually at the arena, except in 1915–18 and 1940–45, when Europe was convulsed in war.

Nowadays, at least four productions (sometimes up to six) are mounted each year between June and August. During the winter months, the local opera and ballet companies perform at the L'Accademia Filarmonica.

Modern-day travellers are advised that admission tickets to sit on the arena's stone steps are much cheaper to buy than tickets giving access to the padded chairs available on lower levels. Candles are distributed to the audience and lit after sunset around the arena.

Every year over 500,000 people see productions of the popular operas in this arena.[3] Once capable of housing 20,000 patrons per performance (now limited to 15,000 because of safety reasons), the arena has featured many of world's most notable opera singers. In the post-World War II era, they have included Giuseppe Di Stefano, Maria Callas, Tito Gobbi and Renata Tebaldi among other names. A number of conductors have appeared there, too. The official arena shop has historical recordings made by some of them available for sale.

The opera productions in the Verona Arena had not used any microphones or loudspeakers until an electronic sound reinforcement system was installed in 2011.

 

How to reach Verona

 

By Car
Verona is easily reached by taking:
- the A4 Motorway SERENISSIMA, Milan-Venice, exit Verona Sud.
- or by taking the A22 Motorway Brennero-Modena, followed by the A4 Motorway Milan-Venice, direction Venice, exit Verona Sud.
Then follow the signs for all directions ('tutte le direzioni) followed by the signs for the city centre. 
Approximative distances from Verona by Motorways:
Vicenza km 51 Venezia km 114 Florence km 230 
Brescia km 68 Bologna km 142 Rome km 600 
Padova km 84 Bolzano km 157 Naples km 800 
Trento km 103 Milan km 161 

By Bus
The city centre is linked to the surrounding towns and villages, as well as Lake Garda, by a public transport bus service (the buses are blue in colour) which can be accessed at the bus station, situated directly opposite the train station (APTV Service). Click here for timetables and routes. 


By Train
The main railway station is VERONA PORTA NUOVA, which is the crossroads of both the Milan - Venice line and the Brennero - Rome line. 
There are direct trains and InterCity trains from all the main railway stations in the north of Italy throughout the day. 
Duration of trip : from Padua 40 minutes; from Vicenza 30 minutes; from Venice 1½ hours; from Milan 2 hours and from Rome 5 hours. 
City buses can be taken from the train station to the city centre and arrive in Piazza Bra, the central square where the Arena Amphitheatre is found. 
The Bus numbers are 11, 12, 13, 14, 72 and 73. 

By Plane
Verona's international Airport Catullo in Villafranca is situated approximately 10 km S-W of the city centre. 
There is a shuttle bus service to and from the airport approximately every 20 minutes from 06.10 to 23.30. 
The airport bus terminal is outside Porta Nuova Railway Station. 
Brescia Montichiari Airport which is situated approximately 52 kilometres from Verona, is also linked to Verona Porta Nuova Train station by a shuttle bus which runs approximately twice a day, in the morning and in the evening. Again the bus terminal is outside Porta Nuova Railway Station. 

 

Parking  - Getting by car and parking next to the Arena
 

From highway A4 or A22 get the exit for Verona Sud.
Follow the signal “tutte le direzioni” (all directions) and then Verona city centre. 

Parking Arena
Via M.Bentegodi,8 - Verona - 37122

Parking Arsenale
Piazza Arsenale,8 - Verona - 37126

Parking Isolo
Via Ponte Pignolo, 6/c - Verona - 37129

Parking Polo Zanotto
Viale Università,4 - Verona - 37129

 
 
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