Mozart Matinee
August 2025 | ||||||
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Mo | Tu | We | Th | Fr | Sa | Su |
Program and cast
Sat 26 July - Sun 27 July
Gabriel Pidoux - Oboe
Ashok Gupta - Organ
Mozarteum Orchestra Salzburg
Ivor Bolton - Conductor
Programme
Wolfgang Amadeus Mozart
Ballet music to the pantomime Les petits riens K. Anh. 10 (299b)
Oboe concerto in C major K. 314
Interval
Church sonata for orchestra and organ in C major K. 278
Church sonata for orchestra and organ in F major K. 244
Church sonata for orchestra and organ in C major K. 329
Symphony in C major K. 425 — ‘Linz’
Sat 9 August - Sun 10 August
Bogdan Volkov - Tenor
Manuel Winckhler - Bass
Salzburg Bach Choir
Michael Schneider - Chorus Master
Mozarteum Orchestra Salzburg
Roberto González-Monjas - Conductor
Programme
Wolfgang Amadeus Mozart
Meistermusik in C minor for male choir and orchestra
(Attempted reconstruction of the original version of the Maurerische Trauermusik [Masonic Funeral Music] K. 477)
Die Maurerfreude — Cantata for tenor, male choir and orchestra in E-flat major K. 471
Overture to the opera Die Zauberflöte (The Magic Flute) K. 620
Tamino’s aria ‘Dies Bildnis ist bezaubernd schön’ from the opera Die Zauberflöte K. 620
March of the Priests from the opera Die Zauberflöte K. 620
Laut verkünde unsre Freude — Cantata for soloists, male choir and orchestra in C major K. 623
Interval
Don Ottavio’s aria ‘Dalla sua pace’ from the opera Don Giovanni K. 527
Tito‘s aria ‘Se all’impero, amici Dei‘ from the opera La clemenza di Tito K. 621
Symphony in E-flat major K. 543
Sat 16 August - Sun 17 August
Mozarteum Orchestra Salzburg
Kyohei Sorita - Piano and Conductor
Programme
Wolfgang Amadeus Mozart
Symphony in G major K. 318
Piano concerto in E-flat major K. 271 — ‘Jeunehomme’
Interval
Overture to the opera Le nozze di Figaro K. 492
Piano concerto in D major K. 537 — ‘Coronation’
Sat 23 August - Sun 24 August
Timothy Ridout - Viola
Mozarteum Orchestra Salzburg
Andrew Manze - Conductor
Programme
Wolfgang Amadeus Mozart
Overture to the opera La clemenza di Tito K. 621
Clarinet concerto in A major K. 622
(Arrangement for viola and orchestra)
Interval
Symphony in C major K. 551 — ‘Jupiter’
Stiftung Mozarteum
In 1856, the 100th anniversary of Mozart’s birth, an association was founded with the aim of setting up a music school, with a library, archives and concert hall, devoted to Mozart. Various buildings in the inner city area of Salzburg were considered and eventually it was decided to buy the villa of the former interior minister, Josef von Lasser, in the Schwarzstrasse. Conversion work took place from 1910 to 1914 according to plans drawn up by Richard Berndl. The overriding style is late historicism characteristic of Munich, and elegant details were combined with elements of the local Baroque tradition, art nouveau and patriotic building art. In 1917 the board of governors of the International Mozarteum Foundation elected Bernhard Paumgartner unanimously as director of what was at that time a conservatory. This later became an academy and then the Mozarteum Academy of Music and Dramatic Art, and in the meantime it has achieved university status. During the period when Paumgartner was director, this educational institute experienced a great boom: in particular several music-theatre productions took place in connection with the “Mozarteum Opera Series” and it was thanks to his initiative that these performances took place in the Salzburg City Theatre (now the Landestheater).
Financial problems of the International Mozarteum Foundation were offset by nationalising the teaching part of the foundation’s work in 1922 with the result that nowadays two completely separate corporate bodies exist. The Mozarteum University has in the meantime moved most of its departments into its own building on the Mirabellplatz.
The International Mozarteum Foundation has cooperated closely with the Salzburg Festival ever since 1921: the Great Hall of the Mozarteum is one of the main venues of the concert series especially because it is excellent for the performance of chamber music. The Mozart Matinees, morning concerts given at the weekends during the Salzburg Festival, were introduced by Bernhard Paumgartner and have in the meantime assumed legendary status. In 1930 the first courses for conducting and musical instruments were held and this initiative later became the International Summer Academy of the Mozarteum. Every year renowned lecturers come together with enthusiastic music students from all over the world to enter a lively artistic dialogue.