Mozart Matinee

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August 2025
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Program and cast

Sat 26 July - Sun 27 July

 

Gabriel Pidoux - Oboe 

Ashok Gupta - Organ

Mozarteum Orchestra Salzburg 

Ivor Bolton - Conductor 

 

Programme

Wolfgang Amadeus Mozart

Ballet music to the pantomime Les petits riens K. Anh. 10 (299b)

Oboe concerto in C major K. 314

 

Interval

 

Church sonata for orchestra and organ in C major K. 278

Church sonata for orchestra and organ in F major K. 244

Church sonata for orchestra and organ in C major K. 329

Symphony in C major K. 425 — ‘Linz’

 

 

Sat 9 August - Sun 10 August

 

Bogdan Volkov - Tenor 

Manuel Winckhler - Bass 

Salzburg Bach Choir 

Michael Schneider - Chorus Master 

Mozarteum Orchestra Salzburg 

Roberto González-Monjas - Conductor 

 

Programme

Wolfgang Amadeus Mozart

Meistermusik in C minor for male choir and orchestra

(Attempted reconstruction of the original version of the Maurerische Trauermusik [Masonic Funeral Music] K. 477)

Die Maurerfreude — Cantata for tenor, male choir and orchestra in E-flat major K. 471

Overture to the opera Die Zauberflöte (The Magic Flute) K. 620

Tamino’s aria ‘Dies Bildnis ist bezaubernd schön’ from the opera Die Zauberflöte K. 620

March of the Priests from the opera Die Zauberflöte K. 620

Laut verkünde unsre Freude — Cantata for soloists, male choir and orchestra in C major K. 623

 

Interval

 

Don Ottavio’s aria ‘Dalla sua pace’ from the opera Don Giovanni K. 527

Tito‘s aria ‘Se all’impero, amici Dei‘ from the opera La clemenza di Tito K. 621

Symphony in E-flat major K. 543

 

 

Sat 16 August - Sun 17 August

 

Mozarteum Orchestra Salzburg 

Kyohei Sorita - Piano and Conductor

 

Programme

Wolfgang Amadeus Mozart

Symphony in G major K. 318

Piano concerto in E-flat major K. 271 — ‘Jeunehomme’

 

Interval

 

Overture to the opera Le nozze di Figaro K. 492

Piano concerto in D major K. 537 — ‘Coronation’

 

 

Sat 23 August - Sun 24 August

 

Timothy Ridout - Viola 

Mozarteum Orchestra Salzburg 

Andrew Manze - Conductor 

 

Programme

Wolfgang Amadeus Mozart

Overture to the opera La clemenza di Tito K. 621

Clarinet concerto in A major K. 622

(Arrangement for viola and orchestra)

 

Interval

 

Symphony in C major K. 551 — ‘Jupiter’

Stiftung Mozarteum

In 1856, the 100th anniversary of Mozart’s birth, an association was founded with the aim of setting up a music school, with a library, archives and concert hall, devoted to Mozart. Various buildings in the inner city area of Salzburg were considered and eventually it was decided to buy the villa of the former interior minister, Josef von Lasser, in the Schwarzstrasse. Conversion work took place from 1910 to 1914 according to plans drawn up by Richard Berndl. The overriding style is late historicism characteristic of Munich, and elegant details were combined with elements of the local Baroque tradition, art nouveau and patriotic building art. In 1917 the board of governors of the International Mozarteum Foundation elected Bernhard Paumgartner unanimously as director of what was at that time a conservatory. This later became an academy and then the Mozarteum Academy of Music and Dramatic Art, and in the meantime it has achieved university status. During the period when Paumgartner was director, this educational institute experienced a great boom: in particular several music-theatre productions took place in connection with the “Mozarteum Opera Series” and it was thanks to his initiative that these performances took place in the Salzburg City Theatre (now the Landestheater).

 

Financial problems of the International Mozarteum Foundation were offset by nationalising the teaching part of the foundation’s work in 1922 with the result that nowadays two completely separate corporate bodies exist. The Mozarteum University has in the meantime moved most of its departments into its own building on the Mirabellplatz.

 

The International Mozarteum Foundation has cooperated closely with the Salzburg Festival ever since 1921: the Great Hall of the Mozarteum is one of the main venues of the concert series especially because it is excellent for the performance of chamber music. The Mozart Matinees, morning concerts given at the weekends during the Salzburg Festival, were introduced by Bernhard Paumgartner and have in the meantime assumed legendary status. In 1930 the first courses for conducting and musical instruments were held and this initiative later became the International Summer Academy of the Mozarteum. Every year renowned lecturers come together with enthusiastic music students from all over the world to enter a lively artistic dialogue.

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