Soirées Musicales, La cambiale di matrimonio

Soirées Musicales

Version for voices and chamber orchestra by Fabio Maestri

Music by Gioachino Rossini

La cambiale di matrimonio

Comic farce by Gaetano Rossi

Music by Gioachino Rossini

Critical edition by the Rossini Foundation of Pesaro, in collaboration with Casa Ricordi of Milan, edited by Eleonora Di Cintio

La cambiale di matrimonio - Synopsis

Place: London, the chambers of Tobias Mill

18th Century

The servants Norton and Clarina discuss a letter which has arrived for their master, Tobias Mill, regarding an impending marriage contract from a Canadian businessman, Slook, who is due to arrive later that day. Mill enters, flustered from calculating the distance from the Americas to Europe, and orders the household to prepare for Slook's arrival, including the readying of his daughter, Fanny, whom he intends to marry off to the foreigner. After everyone leaves, Fanny arrives with her lover, Eduardo Milfort; their love has been kept a secret from Mill due to Eduardo's poor financial status. Norton enters and informs the lovers of the impending marriage contract, but their conversation is interrupted by Mill's entrance as the carriage arrives bearing the Canadian.

Slook enters harassed by the servants who are trying to take his coat: he is clearly unaccustomed to European greetings. Mill encourages Slook to talk to Fanny and to get to know her, but she remains quite hostile, trying to express her disinterest in marrying him with many "but's". However, she is soon joined by Eduardo, and they both threaten to cut out Slook's eyes and puncture his veins. Slook departs to the safety of his room, Fanny and Eduardo to other quarters, as Clarina and Norton return. Before Slook comes back, Clarina expresses her experiences with love and, then upon his return, Norton informs him that the goods he is interested in acquiring are already mortgaged.

Infuriated by this contractual double-crossing, Slook refuses to buy Fanny and tells Mill this. However, he refuses to give a reason fearing retribution from the lovers. Mill then threatens Slook with the prospect of a duel for refusing to carry through with the contract he has incurred. Having encountered three people who wish him dead within hours of his arrival in London, Slook prepares to leave and, when he returns from packing his belongings, he sees Fanny and Eduardo embracing, catching them red-handed, but they tell him about Mill's business-managerial sentiments toward marriage and of Eduardo's poor financial status; Slook responds by promising to make Eduardo his heir so that Fanny may be his.

Mill returns and prepares for his duel, although he fears that, if he dies, it may reflect poorly upon his reputation in the market. Slook reveals himself and clandestinely replaces a pistol with a peace pipe which Mill grabs, not realizing what it is. As they head to the field of battle (Slook armed with a pistol, Mill with a pipe), the ensemble rushes in and tries to convince Mill to give up the financial pretensions. Finally Slook convinces Mill to allow the couple to marry and all ends happily.

Program and cast

SOIRÈES MUSICALES

VITTORIANA DE AMICIS
ANDREA NIÑO
PAOLO NEVI
GURGEN BAVEYAN

LA CAMBIALE DI MATRIMONIO

Director: LAURENCE DALE
Settings and Ccstumes: GARY McCANN
Lighting designer: RALPH KOPP

Cast

Tobia: Mill PIETRO SPAGNOLI
Fannì: PAOLA LEOCI
Edoardo Milfort: JACK SWANSON
Slook: MATTIA OLIVIERI
Norton: RAMIRO MATURANA
Clarina: INÉS LORANS

Conductor: CHRISTOPHER FRANKLIN

FILARMONICA GIOACHINO ROSSINI

Production 2020