The Troubadour

Il trovatore by Giuseppe Verdi
Lyric drama in four parts by Salvatore Cammarano.
First performance: Rome, Teatro Apollo, 19 January 1853.

Set in fifteenth-century Spain, it tells the story of the tragic rivalry between the Count of Luna and the troubadour Manrico for the love of the court lady Leonora, while the old gypsy Azucena, Manrico’s adoptive mother, conceals the tragic secret that makes this struggle, full of reversals, battles and dramatic twists, even more cruel: Manrico is in fact the Count’s son. The opera ends with the death of the two young lovers and the anguish of the Count of Luna and Azucena.
With the revival of the successful production by Mexican director Francisco Negrin and under the musical direction of Dmitri Jurowski, the title that opened Verdi’s Trilogia Popolare returns, featuring a cast of great interest, including the renowned Italian tenor Piero Pretti as Manrico, the refined baritone Franco Vassallo as the Count of Luna, the Marche-born soprano Marta Torbidoni as Leonora, and the young Sofia Petrovich as Azucena, an artist in constant ascent following her significant debuts at the Opéra de Paris.

Synopsis

Place: Biscay and Aragon (Spain)
Time: Fifteenth century.

Act 1: The Duel

Scene 1: The guard room in the castle of Luna (The Palace of Aljafería, Zaragoza, Spain)

Ferrando, the captain of the guards, orders his men to keep watch while Count di Luna wanders restlessly beneath the windows of Leonora, lady-in-waiting to the Princess. Di Luna loves Leonora and is jealous of his successful rival, a troubadour whose identity he does not know. In order to keep the guards awake, Ferrando narrates the history of the count (Aria: Di due figli vivea padre beato / "The good Count di Luna lived happily, the father of two sons"): many years ago, a gypsy was wrongfully accused of having bewitched the youngest of the di Luna children; the child had fallen sick and for this the gypsy had been burnt alive as a witch, her protests of innocence ignored. Dying, she had commanded her daughter Azucena to avenge her, which she did by abducting the baby. Although the burnt bones of a child were found in the ashes of the pyre, the father refused to believe in his son's death; dying, he commanded his firstborn, the new Count di Luna, to seek Azucena.

Scene 2: Garden in the palace of the princess

Leonora confesses her love for the Troubadour to her confidante, Ines (Tacea la notte placida / "The peaceful night lay silent"... Di tale amor / "A love that words can scarcely describe"), in which she tells how she fell in love with a mystery knight, victor at a tournament: lost track of him when a civil war broke out: then encountered him again, in disguise as a wandering troubadour who sang beneath her window. When they have gone, Count di Luna enters, intending to pay court to Leonora himself, but hears the voice of his rival, in the distance: (Deserto sulla terra / "Alone upon this earth"). Leonora in the darkness briefly mistakes the count for her lover, until the Troubadour himself enters the garden, and she rushes to his arms. The Count challenges his rival to reveal his true identity, which he does: Manrico, a knight now outlawed and under death sentence for his allegiance to a rival prince. Manrico in turn challenges him to call the guards, but the Count regards this encounter as a personal rather than political matter, and challenges Manrico instead to a duel over their common love. Leonora tries to intervene, but cannot stop them from fighting (Trio: Di geloso amor sprezzato / "The fire of jealous love" ).

Act 2: The Gypsy Woman

Scene 1: The gypsies' camp

The gypsies sing the Anvil Chorus: Vedi le fosche notturne / "See! The endless sky casts off her sombre nightly garb...". Azucena, the daughter of the Gypsy burnt by the count, is still haunted by her duty to avenge her mother (Aria: Stride la vampa / "The flames are roaring!"). The Gypsies break camp while Azucena confesses to Manrico that after stealing the di Luna baby she had intended to burn the count's little son along with her mother, but overwhelmed by the screams and the gruesome scene of her mother's execution, she became confused and threw her own child into the flames instead (Aria:Condotta ell'era in ceppi / "They dragged her in bonds").

Manrico realises that he is not the son of Azucena, but loves her as if she were indeed his mother, as she has always been faithful and loving to him - and, indeed, saved his life only recently, discovering him left for dead on a battlefield after being caught in ambush. Manrico tells Azucena that he defeated di Luna in their earlier duel, but was held back from killing him by a mysterious power (Duet: Mal reggendo / "He was helpless under my savage attack"): and Azucena reproaches him for having stayed his hand then, especially since it was the Count's forces that defeated him in the subsequent battle of Pelilla. A messenger arrives and reports that Manrico's allies have taken Castle Castellor, which Manrico is ordered to hold in the name of his prince: and also that Leonora, who believes Manrico dead, is about to enter a convent and take the veil that night. Although Azucena tries to prevent him from leaving in his weak state (Ferma! Son io che parlo a te! / "I must talk to you"), Manrico rushes away to prevent her from carrying out this intent.

Scene 2: In front of the convent

Di Luna and his attendants intend to abduct Leonora and the Count sings of his love for her (Aria: Il balen del suo sorriso / "The light of her smile" ... Per me ora fatale / "Fatal hour of my life"). Leonora and the nuns appear in procession, but Manrico prevents di Luna from carrying out his plans and takes Leonora away with him, although once again leaving the Count behind unharmed, as the soldiers on both sides back down from bloodshed, the Count being held back by his own men.

Act 3: The Son of the Gypsy Woman

Scene 1: Di Luna's camp Di Luna and his army are attacking the fortress Castellor where Manrico has taken refuge with Leonora (Chorus:Or co' dadi ma fra poco / "Now we play at dice"). Ferrando drags in Azucena, who has been captured wandering near the camp. When she hears di Luna’s name, Azucena’s reactions arouse suspicion and Ferrando recognizes her as the supposed murderer of the count’s brother. Azucena cries out to her son Manrico to rescue her and the count realizes that he has the means to flush his enemy out of the fortress. He orders his men to build a pyre and burn Azucena before the walls.

Scene 2: A chamber in the castle

Inside the castle, Manrico and Leonora are preparing to be married. She is frightened; the battle with di Luna is imminent and Manrico’s forces are outnumbered. He assures her of his love (Aria, Manrico: Ah sì, ben mio, coll'essere / "Ah, yes, my love, in being yours"), even in the face of death. When news of Azucena’s capture reaches him, he summons his men and desperately prepares to attack (Stretta: Di quella pira l'orrendo foco / "The horrid flames of that pyre"). Leonora faints.

Act 4: The Punishment

Scene 1: Before the dungeon keep

Manrico has failed to free Azucena and has been imprisoned himself. Leonora attempts to free him (Aria: D'amor sull'ali rosee / "On the rosy wings of love"; Chorus & Duet:Miserere / "Lord, thy mercy on this soul") by begging di Luna for mercy and offers herself in place of her lover. She promises to give herself to the count, but secretly swallows poison from her ring in order to die before di Luna can possess her (Duet: Mira, d'acerbe lagrime / "See the bitter tears I shed").

Scene 2: In the dungeon

Manrico and Azucena are awaiting their execution. Manrico attempts to soothe Azucena, whose mind wanders to happier days in the mountains (Duet: Ai nostri monti ritorneremo / "Again to our mountains we shall return"). At last the gypsy slumbers. Leonora comes to Manrico and tells him that he is saved, begging him to escape. When he discovers she cannot accompany him, he refuses to leave his prison. He believes Leonora has betrayed him until he realizes that she has taken poison to remain true to him. As she dies in agony in Manrico's arms she confesses that she prefers to die with him than to marry another (Trio: Prima che d'altri vivere / "Rather than live as another's"). The count has heard Leonora's last words and orders Manrico's execution. Azucena awakes and tries to stop di Luna. Once Manrico is dead, she cries: Egli era tuo fratello! Sei vendicata, o madre. / "He was your brother ... You are avenged, oh mother!"

Program and cast

Stage direction – Francisco Negrin
Musical direction – Dmitri Jurowski

Manrico – Piero Pretti
Count of Luna – Franco Vassallo
Leonora – Marta Torbidoni
Azucena – Sofia Petrovich

FORM – Orchestra Filarmonica Marchigiana
Coro Lirico Marchigiano Vincenzo Bellini
Choir master – Christian Starinieri