Tristan and Isolde

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PEAK OF THE OPERA SEASON: TRISTAN AND ISOLDE DIRECTED BY ROBERT WILSON

A musical, theatrical and cultural event of the season – not only in Slovenia, but also in Europe!

 

Richard Wagner's Tristan and Isolde is considered one of the most important works of the Western classical musical and one of the pinnacles of European art in general. Four European opera houses from Belgium, Poland, Spain and Slovenia have joined forces in this impressive project. "Tristan and Isolde" is co-produced with leading opera houses - La Monnaie in Brussels, Teatro Real in Madrid and Opera Wroclaw.

 

Robert Wilson, one of the most influential and visionary directors of contemporary theatre and opera, is directing Wagner's masterpiece Tristan and Isolde for the first time in his almost 60-year career. This will be a historic event for the Ljubljana Opera House, where the first Slovenian production of this magnificent work will be staged.

 

We are announcing a unique musical and theatrical spectacle – an experience that you simply cannot miss!

Take a look at the introductory words by the dramaturge Konrad Kuhn below, see exclusive photos from the preliminary studio rehearsals of "Tristan and Isolde", which took place in our theater in June, and watch a video message by Robert Wilson. 

 

Synopsis

 

Act 1

Isolde, promised to King Marke in marriage, and her handmaid, Brangäne, are quartered aboard Tristan's ship being transported to the king's lands in Cornwall. The opera opens with the voice of a young sailor singing of a "wild Irish maid" ("Westwärts schweift der Blick"), which Isolde construes to be a mocking reference to herself. In a furious outburst, she wishes the seas to rise up and sink the ship, killing herself and all on board ("Erwache mir wieder, kühne Gewalt"). Her scorn and rage are directed particularly at Tristan, the knight responsible for taking her to Marke, and Isolde sends Brangäne to command Tristan to appear before her ("Befehlen liess' dem Eigenholde"). Tristan, however, refuses Brangäne's request, claiming that his place is at the helm. His henchman, Kurwenal, answers more brusquely, saying that Isolde is in no position to command Tristan and reminds Brangäne that Isolde's previous fiancé, Morold, was killed by Tristan ("Herr Morold zog zu Meere her").

 

Brangäne returns to Isolde to relate these events, and Isolde, in what is termed the "narrative and curse", sadly tells her of how, following the death of Morold, she happened upon a stranger who called himself Tantris. Tantris was found mortally wounded in a barge ("von einem Kahn, der klein und arm") and Isolde used her healing powers to restore him to health. She discovered during Tantris' recovery, however, that he was actually Tristan, the murderer of her fiancé. Isolde attempted to kill the man with his own sword as he lay helpless before her. However, Tristan looked not at the sword that would kill him or the hand that wielded the sword, but into her eyes ("Er sah' mir in die Augen"). His gaze pierced her heart and she was unable to slay him. Tristan was allowed to leave with the promise never to come back, but he later returned with the intention of marrying Isolde to his uncle, King Marke. Isolde, furious at Tristan's betrayal, insists that he drink atonement to her, and from her medicine chest produces a vial to make the drink. Brangäne is shocked to see that it is a lethal poison.

 

Kurwenal appears in the women's quarters ("Auf auf! Ihr Frauen!") and announces that the voyage is coming to an end. Isolde warns Kurwenal that she will not appear before the King if Tristan does not come before her as she had previously ordered and drink atonement to her. When Tristan arrives, Isolde reproaches him about his conduct and tells him that he owes her his life and how his actions have undermined her honour, since she blessed Morold's weapons before battle and therefore she swore revenge. Tristan first offers his sword but Isolde refuses; they must drink atonement. Brangäne brings in the potion that will seal their pardon; Tristan knows that it may kill him, since he knows Isolde's magic powers ("Wohl kenn' ich Irlands Königin"). The journey almost at its end, Tristan drinks and Isolde takes half the potion for herself. The potion seems to work, but instead of death, it brings relentless love ("Tristan!" "Isolde!"). Kurwenal, who announces the imminent arrival on board of King Marke, interrupts their rapture. Isolde asks Brangäne which potion she prepared and Brangäne replies, as the sailors hail the arrival of King Marke, that it was not poison; rather, she has substituted a love potion in order to save Isolde from herself.

 

Act 2

King Marke leads a hunting party out into the night, leaving Isolde and Brangäne alone in the castle, who both stand beside a burning brazier. Isolde, listening to the hunting horns, believes several times that the hunting party is far enough away to warrant the extinguishing of the brazier – the prearranged signal for Tristan to join her ("Nicht Hörnerschall tönt so hold"). Brangäne warns Isolde that Melot, one of King Marke's knights, has seen the amorous looks exchanged between Tristan and Isolde and suspects their passion ("Ein Einz'ger war's, ich achtet' es wohl"). Isolde, however, believes Melot to be Tristan's most loyal friend, and, in a frenzy of desire, extinguishes the flames. Brangäne retires to the ramparts to keep watch as Tristan arrives.

 

The lovers, at last alone and freed from the constraints of courtly life, declare their passion for each other. Tristan decries the realm of daylight which is false, unreal, and keeps them apart. It is only in night, he claims, that they can truly be together and only in the long night of death can they be eternally united ("O sink' hernieder, Nacht der Liebe"). During their long tryst, Brangäne calls a warning several times that the night is ending ("Einsam wachend in der Nacht"), but her cries fall upon deaf ears. The day breaks in on the lovers as Melot leads King Marke and his men to find Tristan and Isolde in each other's arms. Marke is heartbroken, not only because of his nephew's betrayal but also because Melot chose to betray his friend Tristan to Marke and because of Isolde's betrayal as well ("Mir – dies? Dies, Tristan – mir?").

 

When questioned, Tristan explains that he cannot reveal the reason for his betrayal to the King, as he believes the King wouldn't understand. He then turns to Isolde, who agrees to accompany him once again into the realm of night. Tristan further reveals that Melot has also fallen in love with Isolde. A fight ensues between Melot and Tristan, but at a critical moment, Tristan deliberately throws his sword aside, allowing Melot to stab him.

 

Act 3

Kurwenal has brought Tristan home to his castle at Kareol in Brittany. A shepherd pipes a mournful tune and asks if Tristan is awake. Kurwenal replies that only Isolde's arrival can save Tristan, and the shepherd offers to keep watch and claims that he will pipe a joyful tune to mark the arrival of any ship. Tristan awakes ("Die alte Weise – was weckt sie mich?") and laments his fate – to be, once again, in the false realm of daylight, once more driven by unceasing unquenchable yearning ("Wo ich erwacht' weilt ich nicht"). Tristan's sorrow ends when Kurwenal tells him that Isolde is on her way. Tristan, overjoyed, asks if her ship is in sight, but only a sorrowful tune from the shepherd's pipe is heard.

 

Tristan relapses and recalls that the shepherd's mournful tune is the same as was played when he was told of the deaths of his father and mother ("Muss ich dich so versteh'n, du alte, ernst Weise"). He rails once again against his desires and against the fateful love potion ("verflucht sei, furchtbarer Trank!") until, exhausted, he collapses in delirium. After his collapse, the shepherd is heard piping the arrival of Isolde's ship, and, as Kurwenal rushes to meet her, Tristan tears the bandages from his wounds in his excitement ("Hahei! Mein Blut, lustig nun fliesse!"). As Isolde arrives at his side, Tristan dies with her name on his lips.

 

Isolde collapses beside her deceased lover just as the appearance of another ship is announced. Kurwenal spies Melot, Marke and Brangäne arriving ("Tod und Hölle! Alles zur Hand!"). He believes they have come to kill Tristan and, in an attempt to avenge him, furiously attacks Melot. Marke tries to stop the fight to no avail. Both Melot and Kurwenal are killed in the fight. Marke and Brangäne finally reach Tristan and Isolde. Marke, grieving over the body of his "truest friend" ("Tot denn alles!"), explains that Brangäne revealed the secret of the love potion and that he had come not to part the lovers, but to unite them ("Warum Isolde, warum mir das?"). Isolde appears to wake at this and in a final aria describing her vision of Tristan risen again (the "Liebestod", "love death"), dies ("Mild und leise wie er lächelt").

Program and cast

Music :Richard Wagner

Libretto:Richard Wagner 

Conductor :Jacek Kaspszyk

Director :Robert Wilson

Co-director :Nicola Panzer

Costume designer :Jacques Reynaud

Set designer :Robert Wilson

Associated set designer :Stephanie Engeln

Light designer :Robert Wilson

Hair & Make-up Artist :Manuela Halligan 

Video designer :Tomasz Jeziorski

Associated light designer :Marcello Lumaca

Dramaturgy :Konrad Kuhn

Language coach :Anja Avbelj, Tomaž Zadnikar (choir)

Choir conductor :Željka Ulčnik Remic

Concert master :Anna Morgoulets

Assistant conductor :Jakob Barbo

Assistant director :Matej Prevc

Assistant costume designer: Flavia Ruggeri

Second assistant costume: designer Anjana Pavlič Polšak

Assistant set designer Flavio Pezzotti

Corepetitors Kayoko Ikeda, Višnja Kajgana, Irena Zajec, Irina Milivojević, Stefan Pajanović

Choir Corepetitor Marina Đonlić

Prompters Dejan Gebert, Urška Švara Kafol

Stage manager Tomaž Čibej

Cast

Tristan :Daniel Frank k. g./ Jonathan Stoughton k. g.

Izolda :Magdalena Anna Hofmann k. g./ Edith Haller k. g.

Brangäne :Monika Bohinec k. g./ Dubravka Šeparović Mušović k. g. 

Koenig Marke :Peter Martinčič

Kurwenal :Jože Vidic

Melot :Ivan A. Arnšek

Ein Hirte :Matej Vovk

Ein Steuermann :Robert Brezovar

Stimme eines jungen Seemanns :Aljaž Farasin.

Choir and Orchestra of the Slovenian National Theatre Opera and Ballet Ljubljana

Festival Ljubljana

SNT Opera and Ballet Ljubljana

Arrival

We kindly recommend you to arrive at the theatre on time. Only in this way you will be able to check in your belongings at the cloakroom, leaf through your theatre programme, find your seat and catch-up with your friends. Do not forget that the other visitors intend to do exactly the same, so please try to arrive at least 20 minutes before the scheduled performance time.

Location and Parking

When planning your arrival time, please bear in mind that the building of the Slovenian National Theatre Opera and Ballet Ljubljana is located in the city centre. Three public payable car parks or parking places are available in the neighbouring streets. The closest open-air car park is located on the Republic Square, under which a parking garage is available as well. Three minutes walk away you will find another garage under the Congress Square. A bit longer walking time will be required for parking in the car park, located on the Trdinova Street.

Theatre Dress Code

Our dress code is primarily a way to express our respect to performers, other visitors and ourselves. In former times, a formal suit and tie for gentlemen and a smart dress for ladies were required, when visiting theatre, opera and ballet performances or concerts. In present times, the rules are not so strict any more, however, we would advise you against wearing casual or sporting clothes in the theatre.

Cloakroom

The cloakrooms are located in the Lower Lobby and on the Dress Circle level.

Mobile Phones and Watches

We kindly ask you to allow yourselves and other visitors to experience the performance in an undisturbed manner. Mobile phones and hand watches, making annoying sounds, should be left at home or turned off before the beginning of the performance.

Bringing in outside food and beverages

Outside food and beverages are not permitted in the theatre.

Festivalul Ljubljana
Franz Gotz
© Jernej Prelac
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