Thousands of Miles, Lied Recital Lindsey and Trotignon
August 2026 | ||||||
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Program and cast
Thousands of Miles — Lied Recital Lindsey · Trotignon | CONCERT
Kate Lindsey Mezzo-soprano
Baptiste Trotignon Piano / Arranger
Programme
Kurt Weill
Nannas Lied
From the musical tragedy Lost in the Stars
Thousands of Miles
Big Mole
‘Denn wie man sich bettet, so liegt man’ from the opera Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny)
Erich Wolfgang Korngold
‘Schneeglöckchen’ from Einfache Lieder op. 9/1
Alexander Zemlinsky
‘Und hat der Tag all seine Qual’ from Turmwächterlied und andere Gesänge op. 8/2
Kurt Weill
Buddy on the Nightshift
Berlin im Licht
‘Don’t Look Now, But My Heart Is Showing’ from the movie version of the musical One Touch of Venus
Alma Mahler
‘Die stille Stadt’ from Fünf Lieder
‘Hymne’ from Fünf Gesänge
Kurt Weill
From the play with music Die Dreigroschenoper (The Beggar’s Opera)
Seeräuberjenny (Pirate Jenny)
Barbarasong
Je ne t’aime pas
From the American opera Street Scene
Lonely House
We’ll Go Away Together
From the musical tragedy Lost in the Stars
Trouble Man
Alexander Zemlinsky
‘Selige Stunde’ from Ehetanzlied und andere Gesänge op.10/2
Stiftung Mozarteum
In 1856, the 100th anniversary of Mozart’s birth, an association was founded with the aim of setting up a music school, with a library, archives and concert hall, devoted to Mozart. Various buildings in the inner city area of Salzburg were considered and eventually it was decided to buy the villa of the former interior minister, Josef von Lasser, in the Schwarzstrasse. Conversion work took place from 1910 to 1914 according to plans drawn up by Richard Berndl. The overriding style is late historicism characteristic of Munich, and elegant details were combined with elements of the local Baroque tradition, art nouveau and patriotic building art. In 1917 the board of governors of the International Mozarteum Foundation elected Bernhard Paumgartner unanimously as director of what was at that time a conservatory. This later became an academy and then the Mozarteum Academy of Music and Dramatic Art, and in the meantime it has achieved university status. During the period when Paumgartner was director, this educational institute experienced a great boom: in particular several music-theatre productions took place in connection with the “Mozarteum Opera Series” and it was thanks to his initiative that these performances took place in the Salzburg City Theatre (now the Landestheater).
Financial problems of the International Mozarteum Foundation were offset by nationalising the teaching part of the foundation’s work in 1922 with the result that nowadays two completely separate corporate bodies exist. The Mozarteum University has in the meantime moved most of its departments into its own building on the Mirabellplatz.
The International Mozarteum Foundation has cooperated closely with the Salzburg Festival ever since 1921: the Great Hall of the Mozarteum is one of the main venues of the concert series especially because it is excellent for the performance of chamber music. The Mozart Matinees, morning concerts given at the weekends during the Salzburg Festival, were introduced by Bernhard Paumgartner and have in the meantime assumed legendary status. In 1930 the first courses for conducting and musical instruments were held and this initiative later became the International Summer Academy of the Mozarteum. Every year renowned lecturers come together with enthusiastic music students from all over the world to enter a lively artistic dialogue.

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